Monday, August 27, 2007

La Bohème

La Bohème is undoubtedly one of my favorite operas. Coincidentally, there are two pieces written about it today: by Tim Page in the Washington Post, and by Mike Greenberg at Express-News. Greenberg’s article was a fairly standard review of the San Antonio Opera at the Lila Cockrell Theatre. While it is mundane and devoid of the flowering descriptions that usually grace a classical music review, it does serve a good, descriptive purpose:

The traditional sets, built for New Orleans Opera, worked well and looked pretty good, though they fell short of the current state of the art. Tim Francis' lighting design was fairly basic. The off-the-rack costumes had that off-the-rack look.

Page’s writing, on the other hand, is nothing but mundane. As he writes a preview of Kennedy Center’s upcoming season, he trumphets the social and romantic values of what may be Puccini’s most famous work:

I wonder if there is another opera that so convincingly bewails the horrors of poverty while making most of the resultant hardships seem so romantic. Cold weather permeates "La Bohème," and yet the impression we take away with us is inevitably that of a suffusion of warmth.

I sincerely hope that when The Egg opens, there will be more opera performances here in Beijing. In the meantime, I will indulge myself in DVDs, and in reviews of performances around the world.

Sunday, August 19, 2007

Super Band

Super Band is an American Idol-like competition for rock bands in China. It is jointly produced by media outlets in Guangzhou and Hong Kong to promote original compositions, to discover new talent, and to nurture a crop of Chinese musicians that have the potential to redefine the country’s rock scene in the coming years.

Zhang Peirong, a friend here in Beijing, told me about Super Band while we downed a few Yanjings in Houhai a few weeks ago. Peirong, by all standards, is quite a character. By day, he labors as a film editor in the city. By night, he is a rocker who hounds the Houhai scene. While he is extremely fluent in and deferential to the history and traditions of rock, he is adamant that China as a nation be proactive in developing its own rock sound. He also informed me of a Super Band regional, and implored me to check it out if I ever want to seriously understand China’s pop music and culture.

I have not been extensively exposed to rock and its history, but decided to give it a try anyways, not least because he was dead right about my severe lack of knowledge in China’s pop music but also because I was very interested in the competition format that has swept through China in the past few years.

And boy, what an experience: impeccable on-stage coordination, exquisite fretboard fingering, assertive vocals…those are some of the things that impressed me most. After nearly four hours of music, I came away feeling a little full and a little empty. Full, in a sense that the experience was wholesome, educating, and different from anything I have ever seen. Empty, in a sense that, despite all the classical training that I was fortunate to get when I was young, I have been cloaked away (in some ways by my own doing) from this other world of music in which passion and creativity flow with the freedom of the mind. It is unfortunate that I didn’t discover this world until now, but it is also fortunate that I have, finally, discovered it. Here are some of the highlights:


Band 1: excellent contrast between two entries; male vocalist was superb in creating a soulful, interactive experience with the audience


Band 8: young but very mature, a careful balancing act amongst the players; it first appeared a little thin and weak but soon emerged as this emotional train that charged all the way to the finale


Band 9: pretty sound, but drummer seemed disjointed from the rest of the group


Band 11: well rehearsed with precise control of instrumental and melodic flow; I love its charismatic and pentatonic-heavy sound.


Band 12: a blend of German punk and novel vocal; the ending was crisp and clean


I wished I had written down the bands’ names. Perhaps I’ll one day dig them up from Super Band’s website.